Mimi Tashiro, music bibliographer in the Stanford Libraries, secured the 1876 score for Stanford’s collection at a Sotheby’s auction in 2015. No other copies of the full score used in performances across Europe and America before 1876 are yet known to researchers, Hadlock said. The score used during the opera’s 1871 premiere in Cairo was destroyed in a fire. “It’s an essential link to the opera’s original form as presented in Cairo and Milan.” “This is a very special artifact,” said Hadlock, who specializes in French and Italian opera. The 1876 Paris performance featured the same singers whom Verdi had personally chosen and coached for the lead roles of Aida and her rival, Amneris, in the 1872 Milan premiere. The handwritten manuscript, used in Aida’s Paris premiere in 1876, appears to be the earliest surviving copy of the famous opera’s full score – and the only surviving score from a performance conducted by Verdi – said Heather Hadlock, associate professor of music. Mimi Tashiro, music bibliographer in the Stanford Libraries, with the manuscript that she secured for Stanford’s collection at a Sotheby’s auction in 2015.
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